- wjm3u8 mtm3u8
猜你喜歡
2001
0.0分
劇情片
HD
2021
0.0分
劇情片
莉莉 列昂尼德·巴索夫 維克多·多勃朗拉沃夫 弗拉基米爾·伊林 瓦列里婭·費(fèi)奧多羅維奇 葉夫根尼婭·德米特里耶娃 伊戈?duì)枴ず绽锲罩Z夫 帕維爾·邁科夫 弗拉基米爾·西蒙諾夫 揚(yáng)·察普尼克 菲利普·薩維科夫 達(dá)里亞·盧津娜 巴揚(yáng)·博瓦爾迪諾夫 Elena Anisimova 米凱爾·德扎尼比肯 Ilya Lutsak
/
影片由真實(shí)故事改編。德牧帕爾瑪在機(jī)場被主人遺棄,卻始終在原地等待主人歸來。聰明的它辨認(rèn)出主人出發(fā)時(shí)航班的機(jī)型,日復(fù)一日在同款客機(jī)梯口尋找熟悉的身影。9歲小男孩科里亞剛剛經(jīng)歷和母親的分別,在孤單之時(shí)遇到了帕爾瑪,決定幫助它尋找主人……
HD
HD
1996
0.0分
劇情片
HD
1994
0.0分
劇情片
香港地區(qū)一起殺人案的唯一目擊證人Michelle(鐘麗緹 飾)正被殺手追殺,因?yàn)槠湮椿榉蚴桥c大陸高層關(guān)系密切的富商,身手不凡的中國特警許正陽(李連杰 飾)便被中央委派去香港保護(hù)Michelle。
兩人初接觸時(shí)互看兩生厭,但慢慢都發(fā)現(xiàn)了對方的優(yōu)點(diǎn)并產(chǎn)生了感情,然而因?yàn)樯?份和工作性質(zhì),許正陽盡量將感情壓抑,卻免不了在刻意回避時(shí)患得患失,就在兩人感覺無從擇決時(shí),一個(gè)異常危險(xiǎn)的殺手悄悄靠近了他們。
HD
1988
0.0分
劇情片
警界老油條阿輝(周潤發(fā) 飾)生性風(fēng)流,憑借自己父親昔日手下沾叔(黃沾 飾)的維護(hù),阿輝在警局雖然得不到升遷,但也落得清閑。新進(jìn)警員曹里昂(李元霸 飾)的到來打破了這一切,曹大膽甚至莽撞的辦案方式連累阿輝大出洋相,阿輝雖恨曹里昂,但礙于上司命令,不得不與曹搭檔。
與此同時(shí),毒梟羅茂森(徐少強(qiáng) 飾)的手下毒蛇炳將其交易的毒品調(diào)包私自出售,毒蛇炳之妹當(dāng)娜(利智 飾)配合售毒。兄妹二人非法入港相依為..
HD
《山姆·克萊默克的時(shí)間機(jī)器》劇情介紹
6080提供影視作品山姆·克萊默克的時(shí)間機(jī)器高清全集在線觀看的影視全集網(wǎng),劇情片《山姆·克萊默克的時(shí)間機(jī)器》全集作品的導(dǎo)演是Matthew Bate ,由Sam Klemke 主演,山姆·克萊默克的時(shí)間機(jī)器在豆瓣的評分為0.0,本片由小編于2025-09-01 21:18更新,希望大家喜歡,可以把《山姆·克萊默克的時(shí)間機(jī)器》推薦給你朋友,本作品的地址為 http://www.jfcy66.cn/movie/33387.html
《山姆·克萊默克的時(shí)間機(jī)器》簡介:Since 1977, Sam Klemke has been recording himself on film, the #selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke's honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human. ‘This year will be my year, it has to be!’ Since 1977, Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’. Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke's personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke's self-mockery and honesty give the whole thing a light, breezy feel. Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.